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“Geometry
enlightens the
intellect and sets one’s
mind right. All its proofs are very clear and orderly. It is hardly
possible for errors to enter into geometric reasoning, because it is
well arranged and orderly. Thus the mind that constantly applies itself
to geometry is unlikely to fall into error….”
Ibn
Khaldūn
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Geometry
is a universal language and can be learned by
anyone. The traditional craftsmen who made
the designs that
we can still see today in all parts of the Islamic world, were not
mathematicians. They were practical men and made their designs with
just a compass and a ruler. All geometrical designs can be
understood and analyzed by retracing the design steps that
these craftsmen would have made. It is not necessary
to measure angles or to make calculations to get closer to
understanding these designs. In fact, it contributes
to the
sense of amazement at the skill of these craftsmen when we realize that
they made these imaginative designs with only a compass and a ruler.
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All
geometrical
design starts
with the ability to draw simple and accurate shapes with a compass and
a ruler. The most basic of these is a square. By
connecting intersections of lines and circles it is possible
to
draw a square, a hexagon, a pentagon and hundreds of Islamic patterns.
The design principle used to draw a square with a compass and a ruler
is the same principle that has been used for centuries by Islamic
craftsmen to draw the most complex geometrical designs.
In
all
geometrical designs, there is
always more going on than
initially meets the eye; there is usually more than one
design or pattern to be seen. Most geometrical compositions can be
broken down into constituent parts. More often than not,
these parts are regular shapes such as squares, triangles or
hexagons. To be able to see how a
big composition can be subdivided into these parts, brings you a lot
closer to understanding the overall design. The design on the
left gives an example of this. There are 3three different shapes:
squares, hexagons and twelve-sided polygons.
The edges of these shapes are all the same length so that all the
shapes can fit together.
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| From
the Funerary Compex of Sultan Qaytbay, Cairo |
Analysis
of the design. The constituent elements are represented by different
colours |
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Broug
Ateliers offers:
- Geometrical design correspondence course *NEW*
Learn how to use traditional design techniques to create many different geometric designs.
- Curriculum development for schools
Introduce
islamic art and design to primary and high school students. Let them
learn to develop their creativity and understanding of Islamc art
through a combination of learning and creating
- Corporate courses and sessions
Develop
the cultural awareness of your staff by letting them partake of the
beauty and diversity of Islamic art, as well as getting them active and
creative through practical Islamic geometrical design
Contact me for more
information. info@broug.com or call on (UK)07814
984805.
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